If there’s one thing the Golden Globes reliably gives us – beyond headline-making wins and the odd curveball – it’s a red carpet that dictates the mood for the season ahead. This year, the best-dressed leaned into looks with purpose: clean lines, strong shapes, and finishing touches that said plenty without shouting.
Whether you’re here for outfit cues, a little trend-spotting, or simply adding to your saved folder for the months ahead, these are the looks worth revisiting. Think of this as your cheat sheet to the Golden Globes looks everyone will be referencing from now until Oscars night.
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Jennifer Lawrence In Givenchy
Jennifer Lawrence arrived in a semi-sheer custom Givenchy by Sarah Burton fishtail gown, glazed with sequins and romantic floral embroidery, softening the whole thing with a powder-pink embroidered bomber and a matching silk wrap. It’s daring without feeling try-hard – a reminder that she’s not just showing up for awards season, she’s showing up to win it.
Michael B. Jordan In Prada
It wasn’t a look that screamed for attention, but Michael B. Jordan’s custom Prada look was effortlessly commanding – a cacao-brown double-breasted tux that made black feel predictable. The pale-yellow shirt gave it lift, the black tie kept it clean, and the wire-frame shades (plus a touch of David Yurman) tied it together with that easy assurance he does so well. Consider it official: brown is having its leading-man season.
Selena Gomez In Chanel
We need to talk about Selena Gomez in Chanel, because it’s a reminder of why old-Hollywood glamour never really goes out of style. The deep side-part bob and bold red lip set the tone, then the black velvet bustier dress by Chanel (Matthieu Blazy) did the rest – elegant with just enough drama, finished with white floral appliqués crafted from feathers, silk chiffon and silk organza. The fact it took 323 hours to make makes sense; every detail feels intentional, and the off-shoulder neckline frames her perfectly without tipping into costume.
Jenna Ortega In Dilara Findikoglu
We’re obsessed with Jenna Ortega leaning fully into her darker side on the red carpet – her Dilara Findikoglu gown gave Wednesday, translated into high fashion. The black dress hit that sweet spot between polished and provocative: an embellished collar and fringed cap sleeves up top, then unexpected hip cutouts and open sides that curve into a low, whale-tail back. Paired with Simone Jewels and styled by Enrique Melendez, it was daring, precise, and unmistakably her – without feeling like dress-up.
Jacob Elordi In Bottega Veneta
This look captures exactly what Jacob Elordi has been serving all awards season: classic menswear, elevated with just enough attitude to feel current. The Bottega Veneta tux is crisp and self-assured – double-breasted, white shirt, black tie – but it’s the details that make it his: intrecciato woven leather flats instead of the usual dress shoes, a subtle hit of Cartier, and those retro, blue-tinted sunglasses that lift a traditional black-tie look into something memorable. It reads like a star who understands the strength of simplicity, and how to tweak tradition without losing it.
Kate Hudson In Giorgio Armani Privé
To us, Kate Hudson’s Armani Privé look was old-school screen siren at its best – metallic glamour that feels timeless. The gunmetal bias-cut gown skimmed the body beautifully, then came alive with crystal and silk fringe that moved with every step, while the halter neckline – dusted with Swarovski sparkle – framed her shoulders like jewellery in itself. With her hair pulled into a simple low bun and makeup kept softly glowing, she let the dress do what it was designed to do: shine, swing, and steal the room.
Miley Cyrus In Saint Laurent
Miley Cyrus showed up in custom Saint Laurent by Anthony Vaccarello and reminded everyone that black-tie doesn’t have to behave. The inky sequin gown was sleek in all the right places – plunging neckline, back slit – with those sculptural pleated shoulders doing the heavy lifting. The oversized shades added a deliciously unbothered finish, while Tiffany & Co. diamonds and that emerald pendant kept it firmly in awards-night territory.
Ariana Grande In Vivienne Westwood
We’ve been waiting for Ariana Grande to lean into her darker palette again, and her 2026 Globes look hit perfectly – a black Vivienne Westwood Couture ballgown styled by Law Roach that felt bold, artful, and romantic all at once. The off-shoulder, asymmetric cut and velvet bow detail brought that signature Westwood edge, while the bubble skirt still tipped its hat to her ‘Wicked’ chapter without retreating to Glinda pink. Add diamonds and the revived brunette ponytail, and it was peak pop-star Ari.
Glen Powell In Brunello Cucinelli
Being a regular on red carpets means Glen Powell could’ve easily played it safe again – but his 2026 Golden Globes look proved he knows exactly when to switch things up. The headline was the hair: a soft mullet cut, a wink to retro that stayed sleek rather than gimmicky, styled with a deep side part and tinted shades that felt current without trying too hard. The midnight-blue Brunello Cucinelli velvet blazer, black bow tie, and waist sash kept the tailoring classic, while the hair-and-glasses combo did what the best menswear moments do lately: give you something to talk about.
Emma Stone In Louis Vuitton
Hollywood’s golden hour hit the red carpet in the form of Emma Stone – a butter-yellow Louis Vuitton two-piece that felt modern, with a timeless ease. The boxy crop top and cascading beaded skirt delivered that sunlit, old-Hollywood shimmer, while still reading modern on the body. Then there’s the hair: a soft-auburn bob, glossy and sharply cut at the chin, with a hint of Twiggy in the shape. One yellow-diamond ring was all she needed; when the colour and cut are this strong, everything else can stay beautifully minimal.
Amanda Seyfried In Versace
This year’s Golden Globes red carpet made a convincing case for the power of a clean, all-ivory statement, and Amanda Seyfried wore it like a double nominee who knows she’s in her prime. Her strapless Atelier Versace gown (silk cady with a soft georgette drape) was cut with a pared-back elegance, then turned instantly more cinematic with the enveloping stole set at the arms – a styling choice that reads pure screen siren from the first step onto the carpet. The finishing touches did exactly what they should: Tiffany & Co. diamonds that caught the light without competing, and hair swept into a bun with a subtle old-Hollywood wave at the front, framing that fresh, lifted glow.
Lalisa Manobal In Jacquemus
Lustrous, high-shine hair owned the Globes carpet – and Lisa arrived like the main character. She wore waist-length, glossy mermaid waves with a sheer black Jacquemus gown, made even better by those tasselled sleeves that move beautifully every time she does. The styling stayed smart: Intimissimi underpinnings kept the look no-frills, while a Bulgari pavé choker added a high-jewellery finish against all that airy fabric.
Hudson Williams In Giorgio Armani
Nothing says breakout season like a black-tie look that’s calibrated down to the last detail, and Hudson Williams brought it for his first Golden Globes appearance. Fresh off ‘Heated Rivalry’ – which wrapped its debut season only last month – he hit the carpet in Giorgio Armani: a pearly white peak-lapel dinner jacket and silk shirt worn slightly open at the neck, set against black evening trousers for that crisp, high-contrast finish. The white grosgrain cummerbund pulled the whole thing together, and Bulgari Serpenti jewellery added a clean flash of shine.
Elle Fanning In Gucci
With her effortless classic glamour, Elle Fanning reminded us why she’s a red-carpet constant – and why ‘Sentimental Value’ has her firmly in the conversation this season. Her shimmering, body-skimming Gucci gown was all about shape and shine: a deep V neckline, a floor-length sweep, and just enough train to give her walk a little theatre. She kept the beauty soft and understated – delicate blush, pink lip, nothing vying for attention – because the real exclamation point was the jewellery: a substantial Cartier high-jewellery diamond necklace sitting high on the collarbone like a built-in spotlight.
Tramell Tillman In Zegna
Like someone who understands the power of a styling switch-up, Tramell Tillman hit the 2026 Golden Globes in midnight-blue Zegna velvet and made jewel-tone tailoring look easy. The bow tie and black shirt kept the look streamlined, but the finishing touches did the real work: a Boucheron diamond brooch placed with intent, an Audemars Piguet Royal Oak flashing as he moved, and a few rings adding sparkle without tipping into overload. With a first Globe nomination for ‘Severance,’ Tillman’s styling landed immaculate and assured – calm, composed, and impossible to miss.
Catherine Pun
A Hong Kong native with Filipino-Chinese roots, Catherine infuses every part of her life with zest, whether she’s belting out karaoke tunes or exploring off-the-beaten-path destinations. Her downtime often includes unwinding with Netflix and indulging in a 10-step skincare routine. As the Editorial Director of Friday Club., Catherine brings her wealth of experience from major publishing houses, where she refined her craft and even authored a book. Her sharp editorial insight makes her a dynamic force, always on the lookout for the next compelling narrative.
